This dramatic work uses the style and methods of the late baroque period as introduction to the classics. The tenor and bass parts will work well with any age, including those with changing voices. A great teaching and performance piece! Duration: ca. 3:00.
This edition of the work from the early 1600s offers great versatility for the singers. The SSAATTB setting for young choirs and beyond allows the treble parts to be sung by soloists or a smaller mixed choir. Instruments may also be substituted for voices. For a bigger performance, you may combine several choirs and add optional strings to the continuo. Available separately: SSAATTB, Instrumental Accompaniment (Score and Parts for Strings). Duration: ca. 4:00.
This edition of the work from the early 1600s offers great versatility for the singers. The SSAATTB setting for young choirs and beyond allows the treble parts to be sung by soloists or a smaller mixed choir. Instruments may also be substituted for voices. For a bigger performance, you may combine several choirs and add optional strings to the continuo. Available separately: SSAATTB, Instrumental Accompaniment (Score and Parts for Strings). Duration: ca. 4:00.
The first movement of a mass in progress from this Swedish composer. In addition, the Kyrie is now available. Available: SATB a cappella, SSA a cappella.
This stunning work requires a mature SSAATTBB choir and a string soloist to fulfill the composer's intentions. Looking to write an a cappella work with a symphonic, abundant feel, the Latin text was selected for this spiritual concert work. Duration: ca. 6:00.
Let your women's choir loose in this swinging spiritual! It is easy and fun to sing, building to an impressive ending. A good closer or encore in your concert program! Duration: ca. 1:45.
The text by Thomas Moore places this Irish air from early 1800 in an idyllic river valley. With simple four-part singing in easy ranges, it is an excellent selection for high school choirs. Duration: ca. 3:50.
I. We Are Marching in the Light of God (Siyahamba)
II. Halleluya! We Sing Your Praises (Pelo tsa rona)
A dramatic setting that, while accessible, requires a mature performance of this beautiful work. The poem, central to this composition, tells about a man with little hope for a good life, longing for love and togetherness. A selection that will stand out in your program. Duration: ca. 4:50.
With “Jingle Bells” words set to new music in a jazz waltz feel, along with a playful flute part, this song is easy to prepare, with a rewarding result! Suitable for most mixed choirs, this will be the piece to hum all winter long! Duration: ca. 3:10.
