Irish Festival

Quincy C. Hilliard uses two Irish folksongs as the inspiration for this new festival work. A drone opens the work which quickly moves to a simple, yet creative setting of The Last Rose of Summer. A slow, lyrical treatment of the same folk song serves as the middle section of the piece. The final section is based on The Rake of Mallow and makes use of ample percussion as the piece propels toward a powerful conclusion.